Cinematic sci‑fi scene of a lone humanoid figure standing centered before a large curved glass portal in a sleek metallic interior. Cool blue and soft pink lighting with minimal city silhouettes. Ideal for tech, AI, metaverse, innovation, or futuristic branding.
Prompt
Prioritize clear composition, lighting, mood, and cinematic visual quality.
Prioritize subject clarity, composition, framing, depth, and hierarchy.
Specify lighting, color palette, mood, texture/material cues, and style references.
Include camera language (lens feel, angle, movement) when relevant.
Keep results concise, specific, and visually actionable.
Remix this into a cinematic minimal framing style: strong negative space, clean geometric crops, restrained palette, dramatic directional light, and elegant editorial composition with plenty of breathing room. Favor filmic contrast, large simple surfaces or color planes, quiet atmosphere, and a clear focal area without busy detail. Apply the treatment as framing, lighting, and visual rhythm while letting the source subject remain the subject. Keep it image-first and minimal: no browser chrome, no dense readable text, no literal page layout, and no HTML/CSS/code.
Reference title cue: Futuristic Analyst UI Showcase Section.
Attached reference images are for style, lighting, texture, material language, palette behavior, and overall visual quality only.
Do not recreate the same scene, subject pairing, object count, silhouette, pose, horizon line, spatial arrangement, framing, or focal composition from the reference image.
Invent a new composition and new visual setup while keeping only the broader aesthetic feel.
Consistency: Different. Produce a clearly distinct visual direction from the reference while staying high-quality and relevant to the prompt.
Create one original singular still image with one scene, one frame, and one camera shot.
No UI, no text, no letters, no numbers, no equations, no diagrams, no collage, no screenshots, no document pages, no presentation slides, no watermarks, and no logos.
